Western Swing: March 2012 Archives

Let's call it Wills Park

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Bob Wills with his brothers and father

The Wills boys, from left to right, youngest to oldest: Brothers Billy Jack Wills, Luther J. "Luke" Wills, Johnnie Lee Wills, and Bob Wills, and their father John Tompkins "Uncle John" Wills. From BobWills.com

The George Kaiser Family Foundation is looking for public input on the name of the park GKFF is building on Brady Street in downtown Tulsa:

As Downtown Tulsa continues to blossom into a center of creativity and an economic hub benefiting the greater community, it soon will be a destination for those wanting to spend time in an outdoor setting at the park located on Brady and Cincinnati.

We are looking for input regarding the name of this new park in the Brady District. The name should commemorate a person with Tulsa roots, who has an enduring legacy through their contributions to the community in the areas of arts, music, culture or education; or, in the alternative, should simply reflect Tulsa's history in these areas.

Learn more about the park in the Brady District on our website -- http://ow.ly/9wZbt and submit your ideas for names to inquiries@gkff.org.

My idea, which I've already passed along to the folks at GKFF, is to name the park in honor of Bob Wills and Johnnie Lee Wills, two brothers who together ruled the Tulsa music scene for a quarter-century and built a musical legacy that has spread their fame around the world. They amply fulfill GKFF's criteria.

Name it Wills Park, then name individual park features and facilities to honor Bob Wills, Johnnie Lee Wills, and key Wills sidemen like guitar pioneer and arranger Eldon Shamblin and steel guitar legend and Tulsa bandleader Leon McAuliffe. (Maybe we could even find a spot to acknowledge Junior Barnard, the proto-rock guitarist from Coweta who played for Johnnie Lee, Bob, and Luke Wills.)

Bob Wills brought together ragtime, blues, swing, and traditional frontier fiddle music and turned it into something new, something that would eventually be known as western swing. Bob Wills was also a pioneer with regard to amplified stringed instruments -- Leo Fender was a western swing fan -- and using them to carry the melody, in place of horns an important evolutionary step on the path to rock 'n' roll. It's why Bob Wills and His Texas Playboys were inducted into the Rock 'n' Roll Hall of Fame in 1999 as an Early Influencer.

Chased out of Texas by a vengeful ex-boss who pulled advertising from any radio station that dared to put him on the air, Bob Wills and His Texas Playboys found a home at KVOO in Tulsa when station manager Bill Way refused to knuckle under to Pappy O'Daniel's threats. Wills settled in at Cain's Ballroom, home base for daily broadcasts and twice-weekly dances.

Tulsa became Bob Wills's hometown. He bought a ranch in Osage County north of town -- near the present-day Million Dollar Elm Casino on 36th Street North -- and brought his extended family from Texas to Tulsa to live there with him. He held fiddle contests and founded a rodeo. The band played dances six nights a week all over Oklahoma and surrounding states and often spent Sunday playing for the funeral of a Texas Playboys fan somewhere within driving distance of Tulsa.

GKFF has already honored Woody Guthrie by acquiring his library and establishing a center about his career. It would be even more fitting for GKFF to acknowledge these musicians with a much stronger and longer connection to Tulsa. While Guthrie was in New York singing and raising awareness of the common man's burden, Bob Wills was here in Tulsa playing music to lift the common man's burden for a little while each day.

Bob married a Tulsa girl -- well, a few Tulsa girls, but the last and longest marriage was to a Tulsa girl named Betty Anderson. Bob dreamed of making Tulsa his home for the rest of his life, surrounded by his family and his Texas Playboys, but World War II changed all that. California, then Texas, became home base for a while, but he came back to Tulsa often to see family and to perform at Cain's. He came back in the late '50s to reunite with brother Johnnie Lee in Tulsa for a few years. After his death, he was remembered in a service at Tulsa's Eastwood Baptist Church and laid to rest at Memorial Park Cemetery.

Johnnie Lee Wills, next oldest of "Uncle John" Wills's four sons, launched his own band to help cover the high demand for western swing music in the Tulsa area. When brother Bob left for a brief stint in the Army, Johnnie Lee Wills kept things going at Cain's and on KVOO. After his service ended, rather than take the spotlight back from his brother, Bob headed out to California. Johnnie Lee Wills and All His Boys continued the daily radio program, the weekly dances at Cain's, and the dance hall circuit through the end of the 1950s, rejoined by Bob for the last few years.

But Johnnie Lee did more than carry on. He was an innovator and a great bandleader in his own right, and he had hit songs of his own, two of which -- Milk Cow Blues (1941) and Rag Mop (1949) -- have been suggested as candidates for the first rock 'n' roll song.

Johnnie Lee Wills carried on with the annual rodeo -- the Johnnie Lee Wills Stampede -- and opened a western wear store on the south side of 21st Street just east of Memorial. Tulsa remained his home for the rest of his life.

The musicians who defined the "Tulsa Sound" in the '60s and '70s grew up listening to Bob and Johnnie Lee, and I know of at least one -- Rocky Frisco -- who actually performed a few times with Johnnie Lee at Cain's Ballroom.

(I don't want to leave the rest of the Wills boys unacknowledged. Luke Wills and Billy Jack Wills each had great bands based in California. Billy Jack returned to Oklahoma; he's buried beside Bob at Memorial Park. Luke settled in Las Vegas, but many of us remember him performing at Texas Playboys reunion concerts in the '80s and '90s. Their father, Uncle John Wills, played his fiddle at ranch dances all over Hall County, Texas, and had his own band for a time after the family moved to Tulsa.)

There is already an effort underway, spearheaded by artist Lee Roy Chapman, to rename the district north of the Frisco tracks as the Bob Wills District. Its current name, Brady Arts District, is taken (indirectly, via Brady Street) from Tulsa founder Tate Brady, who was a member of the Ku Klux Klan and a supporter of vigilante violence. Brady's history notwithstanding, it makes more sense to name an arts district to honor an internationally famous man whose music put Tulsa on the map.

Whether the name Bob Wills District ever catches on, there still ought to be some public space named in his and his brother Johnnie's honor. This new park, just a couple of blocks from Cain's Ballroom, would do nicely.

Western swing music has an international fan base, and every country in Europe seems to have a few western swing bands who play the music of Bob and Johnnie Lee Wills. (See previous entries in the western swing category for a few examples.) Tulsa should have a public place where visiting fans can connect with their musical legacy. To some extent Cain's Ballroom fulfills that role, but Cain's is a working music venue and can't be a full-time tourist attraction. Having a public, always-open space nearby to honor the Wills boys would complement Cain's irreplaceable spot in the heart of western swing fans from around the world. In that regard, it's crucial to have a name that will turn up in web searches.

Bob Wills Stage at Wills Park would be a great venue, along with Cain's, for the International Festival of Western Swing that Tulsa should have every year.

If you agree with me that Wills Park is the perfect name for the new park in downtown Tulsa's arts district (or even if you don't), sit right down and drop a line to the folks at GKFF -- inquiries@gkff.org -- and let them know what you think.

First Love, a local band featuring the singing and songwriting talents of Camille and Haley Harris, wrote a fight song for the Rick Santorum campaign. The song "Game On!" came together in the wee hours of this past Sunday night / Monday morning, after they heard Rick Santorum speak and met him at Grace Church in Broken Arrow on Sunday evening. It's a catchy song, and the girls have great pop voices with a bit of a folk edge.

The song has received some national attention, earning a thanks from Rick Santorum on his campaign blog:

What a great anthem for our campaign -- I haven't been able to get the song out of my head! I feel so blessed to have such ardent supporters of our vision for America's future, and am grateful to the entire Harris family for their continued faith in our campaign.

The song has been mentioned by bloggers for Time, The Hill, the Houston Chronicle, Buzzfeed.

I met the Harris girls and their parents Tuesday night at the Santorum watch party. They were being interviewed on an online radio talk show as I sat nearby uploading the latest results by congressional district to the Santorum national campaign team. I thought I remembered seeing another video by First Love, a western swing song.

Sure enough, Haley and Camille sang "Blue Bonnet Lane" (one of my favorite Bob Wills tunes) with the Tulsa Playboys back in January:

Bob_Wills-Tommy_Duncan-Horse-Newspaper

Tonight, March 3, 2012, Bob Wills' Texas Playboys will perform at Tulsa's historic Cain's Ballroom in celebration of the 107th anniversary of the birth of the band's founder. Tulsa's Round-Up Boys will lead off the celebration. Doors open at 6:30 and the show begins at 7. Tickets are available online or at the door.

Heading up the Texas Playboys are vocalist Leon Rausch and guitarist Tommy Allsup. Leon started performing with Bob Wills back in the late 1950s. Tommy Allsup played with Waylon Jennings in Buddy Holly's band, then went to California, and as an A&R man for Liberty Records he reunited Bob Wills and Tommy Duncan, the original Texas Playboys vocalist in the 1960s. I don't know the specific lineup for tonight, but past lineups have included trombonist Steve Ham and trumpeter Mike Bennett, steel guitarist Steve Bagsby, and Amarillo fiddler Jimmy Young, who does his Bob Wills impression when they perform Faded Love & San Antonio Rose. Many of these folks also play with the Tulsa Playboys, who play a dance once a month at Cain's. (UPDATE: Not sure why, but none of the Tulsa folks were on stage tonight.)

To my friends (and my son and his peers) who are swing dancing enthusiasts: This music is called Western Swing for a reason. It's meant for dancing, and there's no finer place for dancing than the curly maple floor of Cain's Ballroom. Maybe just for tonight, break away from the usual swing dancing venue, and bring your dancing shoes and your smooth swing moves on down to Cain's.

To give you a sense of what I'm talking about, here's a look at the Cain's dance floor last July when the Tulsa Playboys played "Miss Molly."

Grab your partner and truck on down.

MORE: Bob Wills and His Texas Playboys appeared in several westerns with Russell Hayden and other stars in the 1940s. Finders Keepers Classics, on the web at otrdvd.com, is offering a four-DVD set of Russell Hayden movies, including several featuring the Texas Playboys, and a separate DVD with Saddles and Sagebrush, another movie that featured Bob Wills and His Texas Playboys. On the homepage, click New Arrivals and scroll down.

About this Archive

This page is a archive of entries in the Western Swing category from March 2012.

Western Swing: January 2012 is the previous archive.

Western Swing: April 2012 is the next archive.

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